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・ Yasuro Kikuchi
・ Yasurō
・ Yasurō Abe
・ Yasus Afari
・ Yasushi
・ Yasushi Akashi
・ Yasushi Akimoto
・ Yasushi Akutagawa
・ Yasushi Asada
・ Yasushi Endo
・ Yasushi Fukunaga
・ Yasushi Furukawa
・ Yasushi Furukawa (governor)
・ Yasushi Furukawa (volleyball)
・ Yasushi Iihara
Yasushi Inoue
・ Yasushi Ishii
・ Yasushi Kamiuchi
・ Yasushi Kanda
・ Yasushi Kaneko
・ Yasushi Kataoka
・ Yasushi Kita
・ Yasushi Matsumoto
・ Yasushi Mieno
・ Yasushi Mizusaki
・ Yasushi Nagao
・ Yasushi Nawa
・ Yasushi Nirasawa
・ Yasushi Ozawa
・ Yasushi Sasaki


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Yasushi Inoue : ウィキペディア英語版
Yasushi Inoue

Yasushi Inoue (井上 靖 ''Inoue Yasushi'', May 6, 1907 – January 29, 1991) was a Japanese writer of poetry, essays, short fiction, and novels. He was originally from Asahikawa, Hokkaido.
== Biography ==
Inoue is famous for his serious historical fiction of ancient Japan and the Asian continent, including ''Wind and Waves'', ''Tun-huang'', and ''Confucius'', but his work also included semi-autobiographical novels and short fiction of great humor, pathos, and wisdom like ''Shirobamba'' and ''Asunaro Monogatari'', which depicted the setting of the author's own life — Japan of the early to mid twentieth century — in revealing perspective.

Inoue, who is one of Japan's most prolific writers today, started relatively late as a novelist. He was forty-two when he published in 1949 his first works, the two novelettes ''Ryoju'' and ''The Bullfight'', which the following year won for him the top literary prize in Japan, the Akutagawa Prize. His longer ''The Roof Tile of Tempyo'' deals both with art and ancient China; ''Lou-Lan'' and ''The Flood'' are short historical novels of China. Whether he is writing full novels, novelettes, or short-stories, however, Inoue's penchant for detailed, exhaustive research and historical accuracy give his stories a flavor of authenticity. Even the characters in his stories can often be traced back to historical individuals. In the spring of 1964, Inoue went to the United States to start his research on what he personally believes will be his magnum opus, a multi-volume treatment of first, second, and third generation Japanese abroad, particularly in the United States.

—Leon Picon, from the introduction to ''The Counterfeiter'', published in 1965

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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